In 2024, I graduated from art academy. During my graduation research, my original idea was to explore biobased materials that I could use to make an object. While searching for the direction I truly wanted to pursue, I often visited my parents, who live close to the coast. After storms, I would walk along the shoreline, searching for small treasures and shells.
This sparked a deep fascination with shell material, and I began to explore how I could incorporate it into my biobased research. As I went deeper into the subject, I encountered the issue of ocean acidification and the way it affects shellfish and other calcifying organisms. Shocked by its impact, I traveled to NIOZ (Royal Netherlands Institute of Sea Research) on Texel, where I interviewed scientists about this phenomenon.
I started to wonder why this topic was barely present in newspapers or everyday conversations, despite having grown up so close to the sea myself. This realization shifted the focus of my project: I wanted to bring attention to this climate-related issue and find a way to open up a public conversation around it.
My aim became to embrace the familiar forms of the shells we know today, while also confronting the possibility that these forms may no longer exist in a hundred years due to changing ocean acidity. Many organisms will not survive if we continue to emit CO₂ at the current rate.
For my graduation project, I created a mixed-media installation combining projected film and ceramic sculptures to magnify what happens beneath the water’s surface. Since then, I have continued to develop this theme through the medium of ceramics, and this process eventually led to Studio Rowbe.